This guy draws like Raymond Chandler writes, like his panels are dark with something other than night. It's all gritty and realistic and noir, laced with real beaten-down people that work simultaneously as throwaway characters and grim metaphors. His swirls and scratches in 100 Bullets seep into his dark edgy blacks, creating a hard world populated with life's losers and winners - from the dirty streets of Philly and Miami to the glowing high rises of Manhattan and L.A.